UPDATE (May 3, 2025, 7:20 p.m. ET): Sovereignty won the 151st Kentucky Derby on Saturday, upsetting favorite Journalism.
Many news programs, including the one I write and produce for, often interview historians, professors and authors who can skillfully draw parallels between the past and the present, to help contextualize a particular moment or experience. In the relentless news cycles of recent years, it is helpful to orient yourself in the cultural discord of the 1960s, the Spanish flu, in Nixon’s calamitous politics — or even in the Kentucky Derby, which celebrates its 151st year on Saturday.
At this year’s Run for the Roses, as the Kentucky Derby is affectionally called, thousands of spectators from across the country will gather on the manicured lawns at Churchill Downs and line up at the betting windows to throw their money behind Journalism, the bay-colored colt favored to win. Or maybe they’ll try their luck on a betting app, praying to the gambling gods for Sandman or Neoequos or another colt or filly with worse odds and a higher payout. Women in custom-ordered wide-brimmed hats and men wearing brightly colored pants will drink from silver mint julep cups and open bottle after bottle of Veuve Clicquot. It will likely get messy in the infield, as it often does. The event has been like this for 151 years, and it will be like this for 151 more, for better or for worse.
It makes perfect sense that Donald Trump sold $75,000 tickets to a ‘MAGA, Again!’ fundraiser event at the derby in 2022.
The Kentucky Derby has always glorified the Good Ole Boys of the American South, a bastion of American conservatism. It makes perfect sense that Donald Trump sold $75,000 tickets to a “MAGA, Again!” fundraiser event at the derby in 2022; it fits perfectly with now-President Trump’s branding and ethos.
It was already like that in 1970, when the Kentucky Derby wasn’t particularly special or notable for any reason except that Hunter S. Thompson was there. Thompson, credited with pioneering the subjective and literary writing style of so-called New Journalism and who is best known for “Fear and Loathing in Las Vegas,” wrote a piece on the Kentucky Derby that year. Published in Scanlan’s Monthly, “The Kentucky Derby Is Decadent and Depraved” is a salient metaphor for Nixon’s America. It also reads as a parallel between past and present.
The article examined the culture of moral decay Thompson believed Nixon caused to proliferate. Today, the effect is different. The Trump administration has been overt in its desire to rewrite American history and, in turn, American culture. In late March, Trump signed an order that claimed to “restore” American identity and history. Aimed at the Smithsonian Institution, the order argued that “our Nation’s unparalleled legacy of advancing liberty, individual rights, and human happiness is reconstructed as inherently racist, sexist, oppressive, or otherwise irredeemably flawed.” And it’s working. Conservative ideology is safer now, with Trump’s lawful protection. In many American spaces it is preferred, even; in classrooms in some states, Trump’s debunked election conspiracy theories may soon be taught, reports say. Politics and the Trump administration were largely absent from the lately very progressive Oscars.
But unlike records of historical figures from Jackie Robinson to Harriet Tubman, the Kentucky Derby, at least by the Trump administration’s standards, needs no rewrite. The outfits, the partying and the pageantry are at odds, and have historically been at odds, with the realities of the event. “The story, as I see it,” wrote Thompson, a Louisville native, “is mainly in the vicious-drunk Southern bourbon horse-s— mentality that surrounds the derby than in the derby itself.”








