Powerlessness breeds desperation, and rarely is that truer than when it comes to the national debate about guns. Last week’s massacre of 19 school children in Uvalde, Texas, and the fatal shooting of 20 first graders and six staff members in Newtown, Connecticut, in December 2012 bookend a tragic era in American life. Mass shootings have become routine events. In the nearly 10 years between these two horrific killing sprees, there have been thousands of mass shootings in America, countless lives lost and complete inaction from Congress. We’ve shaped our lives and our fears around the possibility that the terror of a mass killing will touch us or our families.
After Uvalde, an old idea is gaining greater prominence: releasing the graphic, horrific pictures of children killed by AR-15 semi-automatic rifles.
Since Congress won’t act, the result is an ever-desperate search for a simple solution to stop the killing. After Uvalde, an old idea is gaining greater prominence: releasing the graphic, horrific pictures of children killed by AR-15 semi-automatic rifles. Seeing the photos of children’s bodies, mangled by a weapon of war, will, the argument goes, lead to a change in public opinion and spur recalcitrant legislators to act.
It’s a proposal that comes from a deep well of frustration — and it’s being offered by people who want nothing more than to end gun violence. But this is a truly terrible idea that will change few minds and risks traumatizing those who already understand the devastation caused by American gun culture.
In a recent NPR interview, Amy Goldberg, a trauma surgeon in Philadelphia, laid out the affirmative case for releasing these pictures.
“Citizens need to see the destruction of what these military-style weapons do,” said Goldberg. “And I don’t say that lightly. I don’t say that with any disrespect, but I’m desperate. All the trauma surgeons need this to stop.” She added, “I just cannot believe that Americans in this country would see what these weapons do to our children, our teachers, our community and that they would stand by and do nothing.”
But more likely than not — they would stand by and do nothing.
Most of us already refuse to engage with arguments that contradict our ideological and political assumptions, and when it comes to gun violence, attitudes are even more firmly established, particularly among America’s pro-gun minority. To be an advocate of near-unfettered access to firearms means shutting out all the evidence that one’s selfish demand for practically limitless gun rights is responsible for so much needless suffering. It means looking at Robb Elementary, Sandy Hook, Marjory Stoneman Douglas High School, the 2017 mass shooting at the Route 91 Harvest country music festival in Las Vegas or countless other tragedies and deciding that the fetishization of steel and bullets plays no role whatsoever.
It’s why Republican politicians try to make gun violence about everything other than guns and hold dear to the child-like notion that the only way to stop a bad guy with a gun is a good guy with a gun. To consider the central role of firearms in gun violence would, in effect, give up the game. If politicians are so cynical and morally bereft that they are willing to accept the needless deaths of schoolchildren because it’s in their political interest, do we really expect them to sober up when shown a picture of a murdered child? They’ve already compartmentalized their complicity.
It’s hard to imagine they would even willingly look at the pictures. Their more likely response would be to accuse their opponents of grotesquely using dead children to make a political argument. And they would have a point.
What about the other side: the overwhelming majority of Americans who support more restrictive gun control measures? How would seeing pictures of dead children make us more adamant in our views?
In 2015 news organizations ran a heartbreaking picture of a 3-year Syrian boy washed up on a beach in Turkey. Did it shift public opinion in the United States on welcoming Syrian refugees to this country?
Proponents of releasing these photos have argued that pictures from the war in Vietnam shifted public opinion; as did, they claim, the decision by Mamie Till to leave open the casket of her son, Emmett, who was murdered by white racists in Mississippi in 1955.
But the true impact of those photos is debatable.









