Let me finish tonight with Nora Ephron.
Why? Because this is about us. You know…people who have dated, have dealt with the surprises, joys, troubles, heartbreaks, and downright mysteries of romantic relationships.
Like screenwriter Nancy Meyers, who I just met but have long admired, Nora Ephron was a master at writing movies about relationships: usually from the woman’s point of view, and therefore — certainly in my case — of deep fascination to men.
She wrote about this emotionally treacherous place in which a woman gets asked out on a date and has no idea whether she will ever hear from the guy again. Guys, of course, have another hardship: do you take the leap of asking someone out who can shoot you down cold? That can hurt. Do you struggle to hold on when you think the relationship is fading? Let’s face it: we’ve all been hurt.
But there’s hope, and that’s what kept us — or keeps some of you — trying.
I loved Sleepless in Seattle because it’s about a story that goes back to the days of Cary Grant and Deborah Kerr and stayed fresh as can be for Tom Hanks and the great Meg Ryan, and will be fresh as can be another half century or another millennium if there are still people out there who are lonely and hopeful of not being.








