I had about two hours between the time I’d learned that Rodney King had been found dead in his pool — shortly before Melissa announced it as breaking news on Sunday’s show — and when I had to leave 30 Rock to cover the silent march protesting the New York City Police Department’s (in)famous stop-and-frisk policy. (If you’re unfamiliar with the policy, start with this, watch this, then read these. As for why they marched to Mayor Mike Bloomberg’s residence, this could be why.)
The juxtaposition of King’s death and the march seemed both portentous, and unfortunate. Most of all, I felt a sense of repetition.
The construction of Rodney King in the public sphere was, more than anything, of a catalyst. That seems the most appropriate designation for a man whose violent assault at the hands of a different set of police officers brought renewed national attention to (and displaying what everyone thought was unmistakable video evidence of) police brutality, racially motivated or otherwise. Rodney King was a catalyst 13 months later when the men who had almost killed him were not only set free, but declared “not guilty.” So, then, did thousands of L.A. residents declare their anger, visiting upon their own city the deadliest riots in the city’s history.
I was 16 years old on April 29, 1992, and that day echoed in my mind as I headed uptown to cover the march. I wondered just how much has really changed as I made my way through the hustle and bustle on 110th Street — the border between Manhattan’s front lawn and Harlem — which preceded the march. But right about 3:00pm, the chatter turned to shushing those who dared still speak. Watching the marchers and photographing all the way, I and two friends also covering it were struck by the power of the silence — especially given how a few rabble-rousers had helped to derail the Trayvon Martin march from Manhattan’s Union Square three months ago.
The silence of the thousands of people following our own Al Sharpton, Nation editor/publisher Katrina vanden Heuvel, and our guest earlier that morning, NAACP president and CEO Ben Jealous, was hardly a new tactic; Melissa noted in her introduction to her interview with Jealous that it goes all the way back to the early 1900s, and that’s just with the NAACP. But even noting that underscores, again, the theme of repetition.









